Earlier than the discharge of the Final Fantasy XIV enlargement, Shadowbringers, recreation director Naoki Yoshida joked that George R.R. Martin wanted to complete his A Track of Ice and Fireplace books earlier than he’d think about a Game of Thrones collaboration with the MMORPG. 4 years later and with Winds of Winter nowhere in sight, it could appear Yoshida has merely determined to do issues himself.
It’s maybe passé to instantly label any sort of darkish medieval fantasy aesthetic as being like Sport of Thrones, maybe in the identical method gaming audiences are simply as fast to label that aesthetic as akin to Darkish Souls. However Final Fantasy XVI, the newest within the venerable Japanese roleplaying game saga, appears to embrace that comparability wholeheartedly, and with a sure stage of intent that units itself aside from the prior, effectively, fantasies of the franchise.
Closing Fantasy has after all executed traditional fantasy stylings up to now—from its preliminary releases leaning towards traditional western archetypes of warriors and mages battling goblins and dragons, as much as Yoshida’s different Closing Fantasy venture, the aforementioned MMO, XIV. The aesthetic remains to be essentially the most outstanding even because the franchise has nearly as lengthily juked and jived between the steampunk of VI, the sci-fi techno fantasy of VII, VIII, and XIII, and every part in between. Closing Fantasy is after all no stranger to darkish storytelling both, thrusting its heroes into dreadful conflicts in opposition to terrible villains, and forcing a few of these heroes and their allies into paying the final word worth of their journeys. So what makes XVI’s return to each of these wells really feel each uniquely completely different and but additionally clearly within the footsteps of Sport of Thrones’ affect?

The prologue demo for the sport launched this week paints an image of a Closing Fantasy that’s fascinated not simply with the floor stage aesthetic of Thrones’ explicit concept of Eurocentric fantasy, however with the types of political and familial intrigues that made Sport of Thrones the smash hit it was with mainstream audiences. XVI begins with the attitude of Clive Rosfield, the older princeling of the ruling household of a small principality referred to as Rosaria. In a world the place highly effective nation-states have risen up round big, magical crystals and their gods, the Eikons, Rosaria is a area that worships the traditional Closing Fantasy summon Phoenix, the deity of life and fireplace incarnate. A “First Protect,” primarily a bodyguard, for his youthful brother Joshua—the avatar of the Phoenix—Clive finds his life upended when political machinations and betrayals violently usurp his father’s rule, resulting in an evening of carnage earlier than impending battle that sees each his brother and father slain, his house usurped by his treacherous mom, and Clive put into army servitude by the hands of a previously allied nation.

All this human drama brings XVI’s world all the way down to the bottom stage in methods prior entries have by matching it with grim ranges of gore and casually foul language that really feel like they’re distinctly aping Sport of Thrones’ personal preliminary method—when the sequence was lauded as one way or the other being fantasy for individuals who don’t like fantasy, even with ice zombies and dragons from the get-go. It appears like a definite differentiation from Closing Fantasy’s previous titles—themselves no stranger to mature storytelling or darkish themes, after all—in a lot that the darkest moments of these video games had been usually both implied or introduced in a extra summary method, whether or not by technical limitations or stylistic alternative.
In the meantime right here within the current, the fucks fly aplenty in XVI’s dialogue—no want for a fantastical substitute—and as usually because the blood does, and this sort of base primal darkness is shored up by the sluggish and regular worldbuilding the sport presents to you within the political connections throughout its characters and areas. Is Closing Fantasy XVI setting itself as much as be a nuanced, mature story of politics, nations in battle, and familial drama? Sure. Is it additionally a recreation the place a child who’s round 10 years outdated watches his father’s head get abruptly sliced off, turns into drenched in his father’s head’s blood, after which simply sort of stares at that severed head? Additionally sure. It’s somewhat a lot at occasions, particularly when stated baby them traumatically explodes into a large firebird avatar and begins indiscriminately incinerating every part round him.

However that conflict between the excessive fantasy of Closing Fantasy and this way more grim aesthetic context is crafting one thing with a variety of potential, even within the small glimpse we’ve had of XVI to date. In going for this Thrones-esque vibe Closing Fantasy XVI isn’t embarrassed of its classical fantasy components, if something it feels all of the extra emboldened: a Chocobo is still a chocobo, these classically faceted crystals are nonetheless a supply for the sequence’ conventional elemental magics. The summon creatures which were a staple of the franchise for generations stay as they at all times have been—the very starting of the demo, for instance, flashes ahead to a later interval of Clive’s life the place he witnesses an enormous battle between two warring nations give solution to a ginormous kaiju-esque battle between Closing Fantasy legends Shiva and Titan, and it’s as heightened and ridiculous as such a factor ought to be.
To this point Closing Fantasy XVI may really feel, for all of the cursing and bloodlust of its prologues, prefer it needs to chase the cultural cache of what Sport of Thrones did for modern fantasy—nevertheless it doesn’t neglect that it’s nonetheless additionally a Closing Fantasy recreation, with an emphasis on the fantasy. We’ll see the way it nails that stability when Clive’s journey continues within the full recreation’s launch on June 22, however for now, it’s shaping as much as have a variety of fascinating promise.
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